A MacDowell fellow and Pollock-Krasner award recipient, Maurice Burns (b. 1937) weaves together ideas and iconography from the Harlem Renaissance, Pop Art, and the School of London in pursuit of a cultural territory unbound by 20th-century conceptions of racial identity and the conventions of high culture. As Burns remixes art history and pop culture on his postmodern canvases, a distinctly personal imaginary emerges––one as complex and uncompromising as the jazz legends, Native American chiefs, mathematicians, and everyday people who populate his world.